Context

When looking at this picture I was initially amazed, since I believed it to be something that it is not.

What it is, is a group of businessmen looking at the hull of a larger early 20th century cruise liner. Possibly the Titanic, but it could be anything from the Lusitania to some unknown ship that was sunk during the Battle of the Atlantic.

However, what it looked to me at first glance, was the undercarriage of a great Airship. These gentlemen, these Aeronauts, were proudly embarking on a circumnavigation of the globe in their floating dreadnought. Armed with wits and guns and inevitable communicable diseases, they would venture into the dense jungles of Amazonia . On their journeys, they would encounter the fabled lost cities described by defrocked Jesuit Francisco DeOriana, fight dangerous Air-Pirates and commit wanton acts of Derring-Do.

Of course, none of this happened, but it is an important lesson for any story teller or historian. Context matters. Context told me I was looking at the ribs of a giant inflatable balloon, not the walkways to a ship deck.

Context matters to story tellers because we can slant stories in a certain way. Make certain people the heroes or the villains, depending on the context, depending on the point of view.

In fiction, it used to be that POCs were typically the enemy, or if not worthy of fear, then contempt.

 (See Armageddon 2419AD for a pretty racist view of both Asians and Africans)

POC and depictions of them have changed in the 80 years since 2419 published. Partly that is because of context. Consumers and their tastes have changed. While POC have not achieved parity in terms of "hero" status, actors such as Will Smith and Vin Diesel have proven that there is a commercial market for a POC as the heroic lead.  In order to see greater representation in both interactive and static entertainment, authors have to continue to shift the context.

However, context shifting has to be more than preaching to some POC choir. It has to involve moving the context of what a hero does, what he or she looks like, and what is the nature of heroism. If you are fighting on someone else's ground, you will always be seen in their context.

It would like to say that we at MM are doing that, but the honest truth is that we haven't done it well enough.

The Great Balloon Race

Short Fiction in visual form: 

Every so often, we come across works that are compelling but incomplete. Some combination of tone, world, and voice conspires to make us want to know more. However, due to deadlines, budgets and other commitments, some concepts get left to wither. Short Visual Fiction posts attempt to reconcile some of the art work we have laying around with some text that never went any where. 

-The Bear-Men of Kodiac Island:

Jonah pulled the handle. As he did, orange flames shot from the top of the central stack. The quilted frame of the Aeypher expanded, pulling the guide line tight.

"More!" Captain Bluenose shouted from behind the giant steering gear. "We need more altitude if we are to catch the Prince of Crystal River."

Jonah took the iron handle and yanked with both hands, laughing as he did. Slowly, the Aeypher began to rise.

Below them, in the wilds of Kodiac Island, the Bear-Men called in loud grunts and hollers.

"The Bear-Men hold no love of the Prince!", Bluenose called through the wind.

"Why?" Jonah asked as he peered over the side railing. Below the wisps of sooty smoke wafted from the Wigwams of the Bear-Men.

"The Prince and the Bear-Men both love the Salmon of the Crystal River. The Prince pays a handsome price for any fish brought to his cooks. Knowing his appetite, the Red Catchers swarm the River and catch as much as they can. This leaves the Bear-Men very hungry. Very hungry indeed."

"Hungry enough to eat people?" Jonah stepped back from the abyss. A breeze caught his school coat and flung his tartan tie around his neck like a scarf.

"Silly boy!", tall Captain Bluenose laughed as he tucked long braids under the Gold trimmed Tri-corner hat; "Bear-Men will always eat a tasty man...or boy...hungry or not."

Jonah stared, trying to decipher if the statement held a hidden jest. If not, there was a lot he had to learn about being a Pirate of the Western Sky.

-An excerpt and artwork from the unloved and unfinished "Pirates of the Western Sky" by Grant Chambers