Tuesday, June 18, 2013

Context


When looking at this picture I was initially amazed, since I believed it to be something that it is not.

What it is, is a group of businessmen looking at the hull of a larger early 20th century cruise liner. Possibly the Titanic, but it could be anything from the Lusitania to some unknown ship that was sunk during the Battle of the Atlantic.

However, what it looked to me at first glance, was the undercarriage of a great Airship. These gentlemen, these Aeronauts, were proudly embarking on a circumnavigation of the globe in their floating dreadnought. Armed with wits and guns and inevitable communicable diseases, they would venture into the dense jungles of Amazonia . On their journeys, they would encounter the fabled lost cities described by defrocked Jesuit Francisco DeOriana, fight dangerous Air-Pirates and commit wanton acts of Derring-Do.

Of course, none of this happened, but it is an important lesson for any story teller or historian. Context matters. Context told me I was looking at the ribs of a giant inflatable balloon, not the walkways to a ship deck.

Context matters to story tellers because we can slant stories in a certain way. Make certain people the heroes or the villains, depending on the context, depending on the point of view.

In fiction, it used to be that POCs were typically the enemy, or if not worthy of fear, then contempt.
 (See Armageddon 2419AD for a pretty racist view of both Asians and Africans)

POC and depictions of them have changed in the 80 years since 2419 published. Partly that is because of context. Consumers and their tastes have changed. While POC have not achieved parity in terms of "hero" status, actors such as Will Smith and Vin Diesel have proven that there is a commercial market for a POC as the heroic lead.  In order to see greater representation in both interactive and static entertainment, authors have to continue to shift the context.

However, context shifting has to be more than preaching to some POC choir. It has to involve moving the context of what a hero does, what he or she looks like, and what is the nature of heroism. If you are fighting on someone else's ground, you will always be seen in their context.

It would like to say that we at MM are doing that, but the honest truth is that we haven't done it well enough.




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