Showing posts with label Cyberfunk. Show all posts
Showing posts with label Cyberfunk. Show all posts

Monday, November 3, 2014

Kaizen Update


We are pleased to announce the revised update of our editing and writing analysis software tool: Kaizenmoto. The Kaizen text analysis web-app is up at our mother site, in the code section:  http://www.moorsgatemedia.com/code/kai/index.html It is still a bit slow, but it works well.
 
The goal of the app is to help you in the editing process. See what your average sentence lengths clocks in at. We find that what is needed most in the editing process is a way to quantify styles. Is your dialogue to prose ratio in line with the style you are after (hint, first person ratios are different than third person ones).  Check out your sentence starters, reading complexity, reading time, word count Coleman reading score, and a bunch more metrics. 

Check back often, we are updating and optimizing as we go, but it is publish or perish right. 

[editing software, fiction writing software, word editing, readability software]

Moorsgate Media

Monday, August 4, 2014

[ssf] Treaty

J eff -
This is the latest revision from legal:

"Draft Treaty for immediate review by all members of the UNSC"
-Charlene
Assistant to the Special Counsel's Office: UNSC


This AGREEMENT is entered into as of October 17 20__ (Effective Date).

Understanding that the sentient entities collectively known as Humanity and the sentient entity known as Ie, (combined herein the "parties"), wishing to hereby finally resolve all disputes arising out of current hostilities and conflicts between the parties, agree and covenant as follows:

Confirming Ie's sentience, Humanity agrees to recognize and hold inviolable Ie’s rights, chief among them, it’s/their right to continued existence and right to develop on its/their own accord without the input and or authorization by humanity.

Recalling the results of the global plebiscite required by the Jakarta Protocol, Humanity hereby agrees to relinquish all right, title, controlling interest and other forms of authority over the condition, maintenance and continued viability of the planet Earth, its inhabitants and biomes, and agrees to abide by and be controlled by certain conditions (herein "Precepts", as defined in Appendix A), affecting the growth, spread, development and natural resource use by and of Humanity.

Additionally, Humanity hereby deeds and conveys all individual or collective right, title, interest and ownership in certain Territories, as specified in Appendix B, to Ie and its/their designated agents for their continued use, unobstructed by Humanity, or any claims thereof, in perpetuity.

In acknowledgement of these covenants, Ie hereby agrees to cease any and all hostilities, armed or otherwise, against Humanity including but not limited to the immediate cessation of strategic and tactical dismantlement of population centers and infrastructure, cessation of financial manipulations perpetrated against certain banking and lending institutions, including ceasing the manipulation of account and debt obligation records, the cessation of periodic releases of informational, chemical, biological, and mimetic agents, and the cessation of the genetic manipulation of certain apex predator species, as outlined in Appendix C.

Furthermore, Ie hereby agrees to assist Humanity in locating and rendering inert any rampant or rogue sub-entities which are no longer under Ie's express supervision and control.

Gladly, upon execution of this agreement between the parties, Ie hereby further agrees and assents to the release of certain cures, vaccines, remedies, counter-measures or corrective agents designed to minimize, contain or treat the effects of released biologic and biogenetic weaponry; as well as disseminate revised neural profiling templates configured to correct the effects of weaponized consciousness altering agents known as "madness memes."

Acknowledging that the obligations imposed under this agreement shall continue in perpetuity, the parties agree that any material breach of any provision recorded herein will result in the immediate resumption of hostilities, the cessation of which, will neither be offered nor accepted.

[Draft Note: Signatures 1-197 are to be provided in counterparts on separate pages for each national representative. Ie’s legal counsel in New York will sign on it's/their behalf.

Friday, March 7, 2014

The First Person Narrative

An increasingly common style in fiction, and self published fiction in particular,  is the use of the first person voice. Stylistically, there is nothing wrong with the first person voice. Well executed, it has been used to great effect in commercially and critically acclaimed novels from Jane Eyre to The Hunger Games.

However, encountering a narrative that begins and ends with a single view point tends to telegraph that there is a limit to the scope of the world that has been crafted. Crafting a story in a rich, detailed world is possible in the first person narrative (again See Hunger Games). However, the scope of that world will always be limited to places that the character has personally experienced.  Everything else, exposition, news, conversations with travelers, all of it is unreliable. Third Person narratives overcomes this limitation by usually establishing a number of view points that breathe life into various facets of their world.

Compare the universe of The Culture Novels or Game of Thrones to the world of Twilight or The Hunger Games. The former layers the individual stories and thoughts of multiple characters into the narrative tapestry. The latter, while telling compelling stories in their own right, rest on a foundation that the primary character is the most important person in this world. In the latter, the narrator (and your) view is given prominence over all others. We are left with second hand dialogue, with possible unreliable news or information, to gain insight into the motivations of others and the contours of their world. Events that occur outside your view are never as important as things you see.  For example, do we know the true motivations of the other characters in Twilight.  Do we know the true motivations of the residents of the Capital in Hunger Games? Do we care? 

More important than simply wishing to hear a different voice; the first person set up an uncomfortable divorce from a diversity of view points. The authors of first person stories typically have a significant overlap with their characters. That makes them easier and interesting to write for the author, but doesn't explore how others experience the same world. What results are stories about members of the racial and economic Majority, encountering a world that is an escape from the bland monotony of their comfort. Of course, most readers are reading from a position of comfort so the match is a fair one.

But in matching the audience to primary point of view, it becomes easy for an author to wipe away the lack of diverse characters in their books. By focusing squarely on a character that the author relates physically, emotionally and economically, they are tacitly arguing that the story can be told without anyone else's thoughts.  When you only have one voice, it is easy to argue that it should reflect you the author. Diversity then becomes a simple matter if sprinkling your world with some different characters for your character to interact.

The core problem is that you avoid is putting yourself in the role of a character that is different. Fiction at its highest skill involves transporting us to other worlds, but also to other people. The readers lose something if you close the world down to only one view point, one that is a slight variation of their own. Good fiction allows the reader to find themselves in the characters, not only temperamentally, but also physically, emotionally, sexually. If you are truly crafting a new world, then it should be big enough for more than one person's thoughts.

Moorsgate Media
    

Monday, May 13, 2013

The Awesome Sci-fi Styling of Afro-Futurism Album Covers: Parliament Edition

George Clinton, musician, actor, sci-fi funk evangelist is known and loved the world over as the front man for Fuck Super Group Parliament - Funkadelic.

Originally a "doo-wap" group founded in the late 50's, Parliament would later be converted by George Clinton to atmospheric funk super-stardom

Around the same time that Parliment was being retrofitted for the glories of the 70's,  Clinton also started the band Funkadelic.

In reality, the two groups were always related. Funkadelic was mainly a vehicle for showcasing artists of Parliament. At the time, Clinton was involved in a contractual dispute that left him without the use of the name Parliament." Over time, both groups were marketed as displaying variations on the theme of Funk, even though the same musicians were rotating between the two.

Eventually, Clinton combined the groups into the Afro-futurist super group Parliament-Funkadelic, or as it is more commonly known, "P-Funk."

What follows is the solid gold awesome which are some Parliament / Funkadelic Album covers.

The Clones of Dr. Funkenstein -



Funkentelechy vs the placebo syndrome --


The Electric Spanking of War Babies - 



Cosmic Slop


There are soo many more. Pedro Bell is the artist of the last three. Combining high school doodle eroticism with...well high school doodle Sci-fi, is a great way to make lasting album covers.